If you'd like your soul and heart and mind twisted and turned over and over until you are simultaneously so drained and sad yet relieved, see Synecdoche, New York. A cathartic experience. Playing only until Wednesday in SF, at the Roxie Theater, in the Mission.
Monday, January 26, 2009
Thursday, January 22, 2009
Walkmen / Beach House Show in SF!
Last night, on President Obama's first full day in office, I saw The Walkmen and Beach House play the Fillmore. Man it was great! Of the two The Walkmen really rocked-- I say Beach House sounds just as amazing digitally as live, but I'm still definitely open to them.
And it's great being in a city where almost every time a band is on stage they say something like, "This is our favorite place to play," or "We love this city," and mean it.
Hell yes. Rock on. I'd see either of the bands again.
*The Walkmen above. I didn't take this picture but it's quite studly eh?
Tuesday, January 13, 2009
The Wrestler
Just got back from seeing The Wrestler. Though enjoyable to watch because of the intimate follow style of filming / storytelling, I give it an eh.
I hadn't seen any previews but had heard some buzz and for some reason it sounded interesting to me. Though I really don't like wrestling or violence in movies. I guess I thought it would be an interesting character sketch.
Here's what it made me think about- which I already knew before- focus on self can equal loss of human connection
Welcome to 2009!
About to start doing a lot more blogging. I guess it took me 13 days in to say that, but now I'm ready.
mmmmmmmaahhh.
Tuesday, December 2, 2008
Hand Drawn Animation Over Digital With Gene Deitch
Last month at the San Francisco International Animation Film Festival I attended their retrospective of animator Gene Deitch's work for children. Deitch and his wife Zdenka who reside in Prague, were in attendance for the screening, and I had a chance to speak to both of them.
The showing included Deitch's works: Oscar Winning Monroe, The Three Robbers, TomTerrific, film versions of Maurice Sendak's In the Knight Kitchen, and Where the Wild Things Are, Sylvester and the Magic Pebble, Why Mosquitos Buzz in Peoples' Ears, and Tom and Jerry.
The retrospective was the last program I attended at the Festival, and it was an interesting way to end the weekend because all of Deitch's works are hand drawn animation, while most of the other stuff I'd seen over the weekend was all digital all the way. In fact, Deitch and his wife are advocates for hand -drawn animation when it comes to children's entertainment.
Though he acknowledges the magic Pixar creates Deitch said, "Animation comes down to the story. With computers, unfortunately a lot of the characters look like plastic...and the computer is shutting out hand drawn animation, unfortunately erroneously called 2D..."
It could be argued well that hand drawn animation, the artist's hand to pen to paper rather than hand to mouse to computer, is more subjective, more of a reflection of the artist. It's more pure. On digital animation, Deitch said he doesn't understand the path many 3D animators seem to be on of trying to imitate reality. "I don't think we should be in the business of trying to animate real live action. It's a dead end. There's no way to do it exactly, so why should we try?"
Deitch's wife Zdenka, a less than 5 ft woman who he described as small but feisty, had a lot to say about this matter as well. "Done with computer, it has no heart. I prefer hand made animation because it has heart...The animator gives a life, a feeling to it..."
While watching the hand drawn animation pieces of Gene's, my thoughts were along these same lines. The morals of the stories stood out to me. When the animator draws everything her/himself, it means the artist's point of view and perspective are completely reflected in the characters, giving the experience of watching a real feeling, hmmm perhaps this could be called soul?
I talked to Gene, a man who looks about 25 years younger than his age, about the digital versus hand drawn idea after the screenings. "There's so much competition out there now for childrens' attention," he said. "We try to make something of lasting value." Deitch said he has grandchildren who live in the U.S., and he's not even sure they would be entertained by his works, compared to what he called, "The splash - bang of the stuff children watch on TV today... We're trying to create something real, with meaning," he said.
I asked Zdenka if she felt that hand drawn animation is not just for children, but adults too. "We make these not just for children...There is a lot of junk in the world. It is important to broaden the mind," she said, referring to adults watching too.
**Photo credit Hilary Hart San Francisco Film Society --Gene Deitch and his wife, Zdenka, with Festival Programmer Sean Uyehara and daughter Asta.
The showing included Deitch's works: Oscar Winning Monroe, The Three Robbers, TomTerrific, film versions of Maurice Sendak's In the Knight Kitchen, and Where the Wild Things Are, Sylvester and the Magic Pebble, Why Mosquitos Buzz in Peoples' Ears, and Tom and Jerry.
The retrospective was the last program I attended at the Festival, and it was an interesting way to end the weekend because all of Deitch's works are hand drawn animation, while most of the other stuff I'd seen over the weekend was all digital all the way. In fact, Deitch and his wife are advocates for hand -drawn animation when it comes to children's entertainment.
Though he acknowledges the magic Pixar creates Deitch said, "Animation comes down to the story. With computers, unfortunately a lot of the characters look like plastic...and the computer is shutting out hand drawn animation, unfortunately erroneously called 2D..."
It could be argued well that hand drawn animation, the artist's hand to pen to paper rather than hand to mouse to computer, is more subjective, more of a reflection of the artist. It's more pure. On digital animation, Deitch said he doesn't understand the path many 3D animators seem to be on of trying to imitate reality. "I don't think we should be in the business of trying to animate real live action. It's a dead end. There's no way to do it exactly, so why should we try?"
Deitch's wife Zdenka, a less than 5 ft woman who he described as small but feisty, had a lot to say about this matter as well. "Done with computer, it has no heart. I prefer hand made animation because it has heart...The animator gives a life, a feeling to it..."
While watching the hand drawn animation pieces of Gene's, my thoughts were along these same lines. The morals of the stories stood out to me. When the animator draws everything her/himself, it means the artist's point of view and perspective are completely reflected in the characters, giving the experience of watching a real feeling, hmmm perhaps this could be called soul?
I talked to Gene, a man who looks about 25 years younger than his age, about the digital versus hand drawn idea after the screenings. "There's so much competition out there now for childrens' attention," he said. "We try to make something of lasting value." Deitch said he has grandchildren who live in the U.S., and he's not even sure they would be entertained by his works, compared to what he called, "The splash - bang of the stuff children watch on TV today... We're trying to create something real, with meaning," he said.
I asked Zdenka if she felt that hand drawn animation is not just for children, but adults too. "We make these not just for children...There is a lot of junk in the world. It is important to broaden the mind," she said, referring to adults watching too.
**Photo credit Hilary Hart San Francisco Film Society --Gene Deitch and his wife, Zdenka, with Festival Programmer Sean Uyehara and daughter Asta.
Wednesday, November 19, 2008
Encyclopedia Pictura
This weekend at the San Francisco International Animation Film Festival, my eyes were opened to a new world!
It is that of Encyclopedia Pictura. EP is an animating collective of three young men from Santa Cruz who are currently enjoying a lot of attention since their animation and production for Bjork's 'Wanderlust.' View here.
-Darren Rabinovitch, Sean Hellfritsch, and Isaiah Saxon of EP, and Sean Uyehara, Programmer of SFIAFF
Encyclopedia Pictura are definitely on top of their game. As designers /producers/ artists, they mix live action, digital animation, stop motion animation, and also they do stereoscopic 3D. Their work proves mastery of the latest animation technology (they use Maya, Photoshop, Final Cut Pro, and After Effects), as well as a well rounded sense of art. I think they must operate with %100 creativity and %100 tech skills, which is amazing to think about.
Because they are an independent cohesive unit, creating ground-breaking art, the three are reminiscent of a rock band- only they're animators. Music isn't the only situation where a small team of people can collaborate on an artistic vision and be successful and recognized for it!
*Note- This is also interesting considering our apparent switch to a visual culture these days*
The Animation Fest showed a series of their different short works, including Grow, Grizzly Bear: Knife, Bjork, Born Like Stars, Micro/Macro, Tactical Advantage, Seventeen Evergreen, Zion I: So Tall, Ballistic Jaw Propulsion of, and Spore.
I feel somewhat speechless trying to describe any of the pieces in words, because that's just it, their work is not about words but rather visuals complimenting sound. You can probably get that sense from watching Wanderlust. I can say however that when watching I was thinking about the idea of humans/earth as one. I kept noticing there seemed to be an emphasis on the beauty of (sometimes personified) natural non-human things (Watch Ballistic Jaw, Born Like Stars).
When the pieces were over and it was time for q and a, Founder Sean Uyehara had some news for us. The three guys hadn't arrived yet! Uyehara began to speak about their work when his phone rang. They were on the other line in the car on the way, so Uyehara held his phone to the microphone and we asked questions through him until they walked through the door to inspired applause. They had been sailing and got held up...
When asked about their vision, EP said, "We'd love to give people a sense of wonder through an experience that's not word based." I say mission accomplished.
Someone in the audience asked about if there's an underlying world view/ perspective that their work is made with. "It's an ecological perspective understanding the balance of all complex systems...Deep ecology," one of them responded (which means my thought of humans/earth as one sort of fits).
Even though Bjork offered them another music video deal, and also Animal Collective, a band they said they'd always wanted to work with (and also one of my favorite bands) apparently they're not doing music videos anymore. They didn't say why not.
It is that of Encyclopedia Pictura. EP is an animating collective of three young men from Santa Cruz who are currently enjoying a lot of attention since their animation and production for Bjork's 'Wanderlust.' View here.
-Darren Rabinovitch, Sean Hellfritsch, and Isaiah Saxon of EP, and Sean Uyehara, Programmer of SFIAFF
Encyclopedia Pictura are definitely on top of their game. As designers /producers/ artists, they mix live action, digital animation, stop motion animation, and also they do stereoscopic 3D. Their work proves mastery of the latest animation technology (they use Maya, Photoshop, Final Cut Pro, and After Effects), as well as a well rounded sense of art. I think they must operate with %100 creativity and %100 tech skills, which is amazing to think about.
Because they are an independent cohesive unit, creating ground-breaking art, the three are reminiscent of a rock band- only they're animators. Music isn't the only situation where a small team of people can collaborate on an artistic vision and be successful and recognized for it!
*Note- This is also interesting considering our apparent switch to a visual culture these days*
The Animation Fest showed a series of their different short works, including Grow, Grizzly Bear: Knife, Bjork, Born Like Stars, Micro/Macro, Tactical Advantage, Seventeen Evergreen, Zion I: So Tall, Ballistic Jaw Propulsion of, and Spore.
I feel somewhat speechless trying to describe any of the pieces in words, because that's just it, their work is not about words but rather visuals complimenting sound. You can probably get that sense from watching Wanderlust. I can say however that when watching I was thinking about the idea of humans/earth as one. I kept noticing there seemed to be an emphasis on the beauty of (sometimes personified) natural non-human things (Watch Ballistic Jaw, Born Like Stars).
When the pieces were over and it was time for q and a, Founder Sean Uyehara had some news for us. The three guys hadn't arrived yet! Uyehara began to speak about their work when his phone rang. They were on the other line in the car on the way, so Uyehara held his phone to the microphone and we asked questions through him until they walked through the door to inspired applause. They had been sailing and got held up...
When asked about their vision, EP said, "We'd love to give people a sense of wonder through an experience that's not word based." I say mission accomplished.
Someone in the audience asked about if there's an underlying world view/ perspective that their work is made with. "It's an ecological perspective understanding the balance of all complex systems...Deep ecology," one of them responded (which means my thought of humans/earth as one sort of fits).
Even though Bjork offered them another music video deal, and also Animal Collective, a band they said they'd always wanted to work with (and also one of my favorite bands) apparently they're not doing music videos anymore. They didn't say why not.
Sunday, November 9, 2008
Subscribe to:
Posts (Atom)